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Unique Durations: 1-3
Unique Accidentals: 2
Unique Notes: 11 - 15
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chorale
J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9)
BSG
7:34 Est. Play
Time
106 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
Treble 16 0 5 5 98%
Alto Treble 12 0 2 3 36%
 
Doxology Chorale
Mdlou99
0:27 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BaccidentalFlat
Trumpet		 Treble 12 0 3 3 100%
Treble 14 8 2 2 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BaccidentalFlat
Trumpet		 Treble 12 0 3 3 100%
Treble 14 8 2 2 100%
Alto
Saxophone		 Treble 21 14 4 3 100%
BaccidentalFlat
Clarinet		 Treble 21 14 3 2 100%
BaccidentalFlat
Tuba		 Treble 18 12 5 4 100%
Baritone
Horn		 Treble 17 4 4 3 100%
Baritone
Saxophone		 Treble 10 2 3 3 100%
Bass
Clarinet		 Treble 17 4 4 3 100%
Contrabass
Clarinet		 Treble 16 9 4 3 100%
F
Mellophone		 Treble 13 0 3 3 100%
Flute Treble 21 13 3 2 100%
Trombone Treble 18 7 2 3 100%
 
J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9) (trsc. for organ)(Hauptwerk/Sonus Paradisi Doesburg)
BSG
7:34 Est. Play
Time
106 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Treble 16 0 5 5 100%
Pan
Flute		 Treble 20 0 8 6 99%
C
Trumpet		 Bass 12 0 2 3 36%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Treble 16 0 5 5 100%
Pan
Flute		 Treble 20 0 8 6 99%
C
Trumpet		 Bass 12 0 2 3 36%
 
75. Ein' feste Burg ist unser Gott, J.S. Bach, Luther. B.A. 39. No 50. BWV 303.
SDG
0:55 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 3 100%
Tenor/Bass Bass 17 0 3 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 3 100%
Tenor/Bass Bass 17 0 3 2 100%
 
Greensleeves SATB Arrangement
Cornelius Dybdahl
1:17 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 3 5 100%
Bass 13 0 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 3 5 100%
Bass 13 0 2 3 100%
 
Aus tiefer Not Mendelssohn - op. 23 n°1 Basse
papisenior
0:45 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 12 0 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 12 0 2 3 100%
 
264. Nun komm, der Heiden Heiland. BWV 36/8.
SDG
0:28 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 3 4 100%
Tenor/Bass Bass 18 0 4 5 100%
Contrabass Bass 11 0 2 3 53%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 3 4 100%
Tenor/Bass Bass 18 0 4 5 100%
Contrabass Bass 11 0 2 3 53%
 
234. Lobt Gott, ihr Christen allzugleich. BWV 376.
SDG
0:01 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 1 4 100%
Tenor/Bass Bass 15 0 2 4 100%
Contrabass Bass 12 0 2 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 1 4 100%
Tenor/Bass Bass 15 0 2 4 100%
Contrabass Bass 12 0 2 3 50%
 
238. Mach's mit mir, Gott, nach deiner Güt' (Wohl dem, der sich auf seinen Gott). BWV 139/6.
SDG
0:46 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 0 4 100%
Tenor/Bass Bass 15 0 2 3 100%
Contrabass Bass 13 0 2 2 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 0 4 100%
Tenor/Bass Bass 15 0 2 3 100%
Contrabass Bass 13 0 2 2 50%
 
86. Es ist das Heil uns kommen her. BWV 86 #6.
SDG
0:50 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 3 100%
Tenor/Bass Bass 18 0 4 4 100%
Contrabass Bass 13 0 2 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 3 100%
Tenor/Bass Bass 18 0 4 4 100%
Contrabass Bass 13 0 2 3 50%
 
148. Herr, nun lass in Friede. BWV 337.
SDG
0:38 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 3 100%
Tenor/Bass Bass 20 0 5 3 100%
Contrabass Bass 16 0 4 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 3 100%
Tenor/Bass Bass 20 0 5 3 100%
Contrabass Bass 16 0 4 3 50%
 
244. Meinen Jesum lass' ich nicht. BWV 154/8.
SDG
0:42 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 1 4 100%
Tenor/Bass Bass 17 0 2 3 100%
Contrabass Bass 13 0 2 3 54%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 1 4 100%
Tenor/Bass Bass 17 0 2 3 100%
Contrabass Bass 13 0 2 3 54%